Today, more than any other time in history, we are faced with the good fortune of an enormous variety of oil colors from which to choose. Almost any imaginable color is available in a convenient and portable tube we can carry anywhere, and with it the ability and the freedom to paint anything we desire. What a glorious time to be an artist! So many options! So many possibilities! So much freedom!
Pigment supply companies are currently offering anywhere from 97-120 tubed varieties of pigment colors. With so many options available, how is a suitable and functioning color palette decided upon? What is necessary? What should be avoided? Why?
In this next installment on the palette, these questions are addressed as the palette and its purpose is explored. Richard describes how his palette has evolved over the years from his student days, and explains the reasons behind his choices that led him to his current selection of colors. In addition, the process of preparing a studio palette and proper maintenance procedures are outlined to help keep the palette in good working condition, with plenty of fresh clean paint to create your next masterpiece!
